Close

The current breakdown of traditional barriers between video lisa steele und pleasure dome film provides an ideal opportunity to look at the historical distinctions and similarities between the aesthetics of the two mediums, and to ask in what ways this may now be changing. In thinking through this program about the aesthetics of film and video, Michael and I have chosen to select separate bodies of work, but with one eye upon the interrelationships and programming intersections that this creates.

Our mutual discussions have revolved around video and film cross-overs and elements of time-based media that construct commonalities as well as visible and conceptual boundaries. Our reflections on the topic have led us to an interest in the way in which aesthetic difference can be interpreted within lisa steele und pleasure dome community context and the realm of theoretical mediation.

Does video have lisa steele und pleasure dome conceptual affinity to cyberspace? Does film reproduce a dream state? Is there purity to form, a specificity of medium, a difference in community formation? These are some of the questions that have arisen in our conversations. The flickering illusions of cinematic space, the cool simulcast immediacy of telecommunications, the relationship of body to place; these are some of the themes that the work touches upon, some of the ideas we would like to engage in presenting this program.

What Isabelle Wants Wrik Mead, 3 min, Warm Wrik Mead, 5 min, Haven Wrik Mead, 2 min, Apocalypse Poo Todd Graham, 5 min, Talking Tongues Lisa Steele, 11 min, Second Impressions Lorne Marin, 9 min, Toto Anna Gronau, 2 min, Rear Part of Summer The current breakdown of traditional barriers between video and film provides an ideal opportunity to look at the historical distinctions and similarities between the aesthetics of the two mediums, and to ask in what ways this may now be changing.


© 2020
affiliates bizarre » On-line sex videos for real sex enthusiasts  arhicve